Change of Perspective

Musings on Writing, Reading, and Life Narratives

Fiction writers and literary critics speak of point of view. Social scientists are more likely to discuss perspective. But both of these terms refer to essentially the same construct: the consciousness behind the perception and narration of experience. Each individual’s point of view is unique, and point of view shapes the stories people tell to themselves and to others about themselves and their relationships with their environment. The same event narrated from two different perspectives will produce two different stories.


A change of perspective can expand our perception and reframe our thinking about our experiences. We can all benefit from an occasional change of perspective.


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Saturday, January 2, 2010

Quotations of the Day

"You have to start by changing the story you tell yourself about getting older... The minute you say to yourself, 'Time is everything, and I'm going to make sure that time is used the way I dream it should be used,' then you've got a whole
different story."


--Diane Sawyer



"I shall not grow conservative with age."


--Elizabeth Cady Stanton

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Sunday, January 25, 2009

Quotation of the Day

"Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life; they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our byoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again."

Anne Lamott, Bird by Bird, p. 237

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Tuesday, January 13, 2009

"All shall be well, and all shall be well, and all manner of thing shall be well.

--Julian of Norwich, Christian mystic
(ca. 1342- ca. 1416)

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Saturday, May 31, 2008

Quotation of the Day

“Reading Little Women again, now, I can see how profoundly the book influenced me--as a woman, but even more than that as a writer. Without intending to, Louisa May Alcott invented a new way to write about the ordinary lives of women, and to tell stories that are usually heard in kitchens or bedrooms. She made literature out of the kind of conversations women have while doing the dishes together or taking care of their children. It was in Little Women that I learned that domestic details can be the subject of art, that small things in a woman’s life--cooking the trimming or a dress or hat, quiet talk--can be just as important a subject as a great whale or a scarlet letter. Little Women gave my generation of women permission to write about our daily lives; in many ways, even though it’s a novel, in tone and voice it is the precursor of the modern memoir--the book that gives voice to people who have traditionally kept quiet. . . . Alcott’s greatest work was so powerful because it was about ordinary things--I think that’s why it felt ordinary even as she wrote it. She transformed the lives of women into something worthy of literature. Without even meaning to, Alcott exalted the everyday in women’s lives and gave it greatness.” (pp. 191-192)

--Susan Cheever, American Bloomsbury

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Wednesday, April 9, 2008

Quotation of the Day

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"Whether the world is intimate or impersonal, lawful or magical depends on your perspective" (p. 111).

From Your Mythic Journey by Sam Keen and Anne Valley-Fox

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Monday, December 10, 2007

Quotation of the Day

book coverAbout interpersonal relationships:

"the paradoxical aspect of my experience is that the more I am simply willing to be myself, in all this complexity of life and the more I am willing to understand and accept the realities in myself and in the other person, the more change seems to be stirred up. It is a very paradoxical thing--that to the degree that each one of us is willing to be himself, then he finds not only himself changing; but he finds that other people to whom he relates are also changing. At least this is a very vivid part of my experience, and one of the deepest things I think I have learned in my personal and professional life."

Carl Rogers, On Becoming a Person (p. 22)

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Monday, November 26, 2007

Quotation of the Day

"I always felt as if I got through school by tilting my head slightly to the right, believing one thing and saying another and accepting one story when I knew there were many versions" (p. 41).

Tilly Warnock, "Language and Literature as 'Equipment for Living': Revision as a Life Skill." Writing and Healing: Toward an Informed Practice. Ed. Charles M. Anderson and Marian M. MacCurdy. Urbana, IL: National Council of Teachers of English, 2000. 34-57.

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Wednesday, November 21, 2007

Quotation of the Day

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In a list of significant things he learned from his therapy clients, Carl Rogers includes the following:

"I have found it of enormous value when I can permit myself to understand another person. . . . Very rarely do we permit ourselves to understand precisely what the meaning of his statement is to him. I believe this is because understanding is risky. If I let myself really understand another person, I might be changed by that understanding. And we all fear change. So as I say, it is not an easy thing to permit oneself to understand an individual, to enter thoroughly and completely and empathically into his frame of reference. It is also a rare thing."

Carl Rogers, On Becoming a Person (p. 18)

In other words, a change of perspective can lead to understanding, and understanding can lead to personal growth. Yet understanding can be risky: If I come to understand people whose beliefs are different from mine, I might have to change the way I think about those people. And that knowledge might change the way I think about myself.

So I have to decide: Am I willing to take that risk?

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Thursday, November 8, 2007

Quotation of the Day

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"Remember that it is natural and normal for people to have different memories about the same event. Brothers and sisters especially, because of age differences, recall the past in sometimes startingly different ways. That's all right. Each individual writes an autobiography from his or her own perspective, not from the perspective of anyone else. Let those who recall things differently write their own autobiographies! "

Mary Borg, Writing Your Life (p. 40)

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Saturday, October 13, 2007

Quotation of the Day


"We travel through life guided by an inner life plot--part the creation of family, part the internalization of broader social norms, part the function of our imaginations and our own capacity for insight into ourselves, part from our groping to understand the universe in which the planet we inhabit is a speck. When we speak about our memories, we do so through literary forms that seem to capture universals in human experience--the quest, the romance, the odyssey, the tragic or the comic mode. Yet we are all unique, and so are our stories. We should pay close attention to our stories. Polish their imagery. Find their positive rather than their negative form. Search for the ways we experience life differently from the inherited version and edit the plot accordingly, keeping our eyes on the philosophical implications of the changes we make."

Jill Ker Conway, When Memory Speaks (pp. 176-177).

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Wednesday, September 26, 2007

Quotation of the Day

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"As we grow to adulthood (at least in Western culture), we become increasingly adept at seeing the same set of events from multiple perspectives or stances and at entertaining the results as, so to speak, alternative possible worlds."

Jerome Bruner, Actual Minds, Possible Worlds (p. 109)

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Thursday, September 13, 2007

Quotation of the Day

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"Writing about yourself and those in your life can help you view a situation--and yourself--in a new, clearer way. Turning the people in your life into characters, writing from their point of view, viewing yourself in the third person--all these devices are ways of allowing you to ‘see’ again."

Lynn Lauber, Listen to Me: Writing Life into Meaning (p. 52)

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Sunday, September 9, 2007

Quotation of the Day

“We have, each of us, a life-story, an inner narrative--whose continuity, whose sense, is our lives. It might be said that each of us constructs and lives a 'narrative,' and that this narrative is us, our identities.

“If we wish to know about a man we ask 'what is his story--his real, inmost story?'--for each of us is a biography, a story. Each of us is a singular narrative, which is constructed, continually, unconsciously, by, through, and in us--through our perceptions, our feelings, our thoughts, our actions; and, not least, our discourse, our spoken narrations. Biologically, we are not so different from each other; historically, as narratives, we are each of us unique.”

Oliver Sacks, The Man Who Mistook His Wife for a Hat,
and Other Clinical Tales
(p. 105)

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Monday, September 3, 2007

Quotation of the Day

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“. . . we need stories that normalize our suffering and show us we are part of a community of pain, sin and suffering. We need to be known, to be understood. Fellow sufferers who can empathize contribute to the process of normalization.”

Joseph Gold, Read for Your Life: Literature as a Life Support System (pp. 353-354)

Thank you, Joseph Gold. This is exactly what I was trying to say a few days ago in my review of The Knitting Circle by Ann Hood. During the course of the novel Mary Baxter learns that other people have also experienced pain; each one’s pain has been just as deep as Mary’s, and each has lived to tell the story. Our individual stories differ, but they all illustrate the great abstraction of suffering that is an inevitable part of the human condition. Telling our stories to each other helps us to cope with and heal from the traumas of our lives.

© 2007 by Mary Daniels Brown

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Thursday, August 16, 2007

Quotation of the Day

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“Tell me one last thing,” said Harry. “Is this real? Or has this been happening inside my head?”

Dumbledore beamed at him, and his voice sounded loud and strong in Harry’s ears even though the bright mist was descending again, obscuring his figure.

“Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?”

J.K. Rowling, Harry Potter and the Deathly Hallows (p. 723)

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